Independent Study : Grotesque Cultural Exchange, a Study of Japanese Fashion History

Gothic and Lolita, Photo of Kengo and Hana

Linguistics
 
Kengo, 22, Hana, 21. Dress: Handmaid (both) Point of Fashion: Goth Hanakengo performer (both) Current Obsession: Each other (both)
ConceptsKengo and Hana are wearing Visual Kei/Goth Hanakengo styles. Goth Hanakengo is a form of gothic lolita. Photograph from the book Gothic and Lolita by Masayuki Yoshinaga (2007).   
VisualsBumpy, cloud like, white, glossy, orbs all around the body and head. Ballerina shoes, heavy makeup, white hair, white vest, a shiny collar, and fluffy material on the crotch. The background is very dark, so they stand out like human cotton balls or pearls.   
EmotionsGlee and humor. Fairly goofy side of Lolita, goth hanakengo plays on childish humor through dress. Both are seemingly having a great time.  
Characters/
Objects
Kengo and Hana are dressed in goth hanakengo/gothic lolita. Photograph from the book Gothic and Lolita by Masayuki Yoshinaga (2007).  
SceneTokyo. Undefined.
AestheticsGoth Hanakengo/Gothic Lolita. Both are literal embodiments of bubbles of joy. Both are infantilizing themselves by dressing this way, are living the alter ego of the shojo.    
Westerness/
Japaneseness
No westernness or really Japaneseness in the dress itself. Both are infantilizing themselves by dressing this way, are living the alter ego of the shojo which is Japanese.    
Grotesque/
Abject
Both dress infantile so that they are no longer in the homogenous gender binary, they entered a liminal and free-floating aesthetic of life, used the alter ego of the shojo, and achieved jouissance through dress.  

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