Independent Study : Grotesque Cultural Exchange, a Study of Japanese Fashion History

Gothic and Lolita Photograph of Rosa Yura

Linguistics
 
Rosa Yura, 22. Dress/Blouse: Second hand, Hat: Uiran Nagai, Point of Fashion: Antique back in time, Current Obsession: Making dolls.  
ConceptsRosa Yura is dressed in gothic lolita. She references the aesthetic of antiquity in her dress, and she likes making dolls/Jumeau. She is in the fashion scene of gothic lolita.  
VisualsRosa Yura is dressed in a blouse and skirt that resemble a wedding dress or an aristocratic maiden’s dress that was more modern. Her hat is a banquet cap, she is wearing a necklace and four rings, has dark eyeshadow and long black hair with bangs. She is in the middle of a street in Tokyo and there seems to be a large car coming her way.   
EmotionsDistressed. Her face is almost pouting, and she has her head slightly lowered, holding her hands together close to her chest. She is in an odd location. She is a maiden in distress.  
Characters/
Objects
Rosa Yura is dressed in a secondhand blouse and dress, wearing a Uiran Nagai hat and white platform sandals. Photograph from the book Gothic and Lolita by Masayuki Yoshinaga (2007).   
SceneIn the middle of the street in Tokyo. Undefined.
AestheticsLolita. Gothic Lolita. She is dressed in a second hand, modern, white dress and blouse that resemble robe a la francaise style dress, that is mixed with a Victorian era aesthetic.  
 
Westerness/
Japaneseness
American 1950’s dress in the designs of the pieces. Note that this type of American fashion was heavily influenced by French fashion.  
Grotesque/
Abject
Rosa Yura entered a liminal and free-floating aesthetic of life, used the alter ego of the shojo, and achieved jouissance through dress. Abject in the qualities of gender performance through dress.

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